I arrived at the home of Pat and David Barker last week for the Plymouth Church Neighborhood Foundation and immediately felt like family. We talked (over cookies) for a good 20 minutes before the topic of our shoot even came up, swapping stories of the babies in our lives (their two week old great granddaughter, my seven month old son), and about their passion for helping homeless youth, which grew out of Pat’s tenure as a high school science teacher, when she discovered how prevalent teenage homelessness is.

I saw this picture as I was packing up after the bulk of our shoot, and had to unpack and take another minute to capture it. I’m so glad I did.

The work I do with nonprofits is so important to my professional life. Not only do I get to meet people who do amazing, selfless work, and help tell compelling stories that the public desperately needs to hear, but also I invariably leave nonprofit projects reinvigorated, both in terms of my photography and my faith in the basic goodness of humanity. I’m in the very lucky position of meeting amazing people like the Barkers on a regular basis. It’s the number one reason I’m a photographer.

We had a great time doing laps down Minneapolis’s historic Main Street, Craig on his swank ride, me flat on my belly in the back of my mini van, strobe clamped to the open hatch back, Craig’s friend Hunter doing an admirable driving job not crashing in to Craig or anything else. Best of luck to Craig on his award nominations!

1. You like to cook.
2. Chemistry holds some appeal.
3. You’re pretty sure drinking beer is fun.

Find a friend with overlapping interests, and you’re in business.

Conor Lawrence and the gang at 514 Studios/Callahan & Co. have been brewing for longer than I have, and for years they’ve been brewing up a house recipe – Dirty Larry Brown – giving bottles away to clients and friends. When Conor told me the story of Dirty Larry Brown over coffee recently, I thought it would make for a fun photo shoot, documenting the making of a signature calling card of their business, while at the same time giving a sense of 514 Studios as a place. And a project was born.

Home Brewing at 514 Studios – Images by Chris Bohnhoff

(hover over images for occasional captions)

If you’re unfamiliar with the beer brewing process, it’s a pretty simple deal. The alcohol is created by taking the sugars from roasted and dried barley and other grains, boiling them in water for an hour or so with hops for bitterness and floral taste and smell characteristics, then cooling it down to room temperature and storing it for a while with some special yeast. The yeast eats the sugar and releases alcohol. Voila!

Of course there are countless variations of grains, hop varieties, and yeast strains to choose from – not to mention enough gear to keep any guy with his face in a Northern Brewer catalog for hours at a time. And for the OCD crowd, there’s the lingering danger that one small bacteria could get by your fastidious cleaning routine and skunk the whole 5 gallon batch. Ask any home brewer about any one of these nuances and you’re liable to be roped in to an hour and a half conversation. With any luck you’ll get a beer or two out of the deal, but just be warned.

In the brew pot the day I swung by was a recipe by the name of Ferocious, modeled after a certain aggressive local IPA favorite. The beer called for what some might consider a ridiculous number of hops, which Conor models in a few photos in the gallery. But the fun – and my favorite photos from the shoot, from a brewer’s perspective – came when it was time to transfer the wort (the raw liquid that will be beer after it ferments for a while) from the boil kettle to the carboy. Since there are always hops and other things in the wort, the boil kettle has a screen over the spigot to keep the non-liquids out of the carboy. But our boy Ferocious had so many hops that it clogged the screen and wouldn’t let any liquid through. Problems. So then Conor and his friend Dave tried bypassing the spigot and pouring through a strainer and in to a funnel. Then that clogged! Finally, other options defeated, the rest of the whole hoppy stew was poured straight in to the carboy.

And you know what? It’ll be delicious.

Thanks to Conor and Dave for sharing space, time, and brews. Looking forward to bottling.

Plymouth Church Neighborhood Foundation 2011 Annual Report – Images by Chris Bohnhoff

Story one was a new mixed use building housing 40 or so young people transitioning out of either foster care or homeless situations. I really had no idea what to expect, but what I found were people at ease and empowered, taking control of their lives after coming out of difficult circumstances. On-site job coaches talked of dedicated kids, and the residents who let me in to their rooms obviously took great care of their spaces.

Story two was a building that PCNF took over last year and completely renovated, serving low income adults. I spent the morning with one resident who had just moved in to a unit a couple months earlier, after a number of years with no permanent address. He still had plenty to work out when we talked, but imagine the stress lifting from your shoulders, knowing that you have a safe place to stay.

At the adult residence I also got to spend some time with the building manager, a woman with a history in law enforcement, who is the resident fixer-of-all-problems in her current role. So fun to talk to people who love their jobs: as we toured the building and she pointed out all the improvements that had been made, person after person stopped us to get her help on transportation issues, government agency red tape questions, building things. . . all kinds of stuff. It seemed like an exhausting position. But she told us, ‘I love my job. I can’t walk down the hall without meeting someone I can help. How many people can say that?’

Photographing the chefs and food that went in to The Culinary Mistress, we ended up setting up our roving photo studio in some. . . nontraditional spaces in order to accommodate the schedule of a chef: dining rooms during service, kitchens, back hallways crowded with ladders and spare 4-tops. My favorites were the chefs we photographed who were in the process of developing their next restaurant: Stewart Woodman prior to the opening of Heidi’s, Stephen Trojahn during the Gastro Truck off-season, and Steven Brown during the lead up to the newly-opened Tilia. Since these chefs didn’t have restaurants for us to invade, they opened their homes to us. And since there wasn’t the crush of responsibilities generally pressing down on an executive chef in the restaurant, we were able to have some great conversations.

Steven talked about the gastro-pub trend of the past several years, and about how the public’s growing embrace of craft beers has mirrored his own shift toward a cuisine that is much more approachable and affordable, but still well thought out and crafted. Based on Zimmern’s review, it sounds like Tilia is a perfect realization of Steven’s latest food thoughts, as well as exactly what tons of people (me included) are looking for these days in a restaurant.

Ice Fishing Gourmet – Images by Chris Bohnhoff

This shoot definitely had more variables to contend with than installment one of the Worldly Gourmet series last summer with Asher Miller. Variable number one goes by the name Lake Minnetonka. I went out to scout the shoot location a week prior to our chosen date, and temps had been in the upper 30s for several days. The foot of snow sitting on top of the ice had been turned to slushy puddles. Not really what I wanted to see. Then a good news/bad news kind of thing happened: first, a big cold snap froze the puddles, which was great. Not so great was the 14 inches of snow that came a couple days before the shoot, making travel across the lake much more tricky.

A very busy week leading up to the shoot meant that dialing in the location would have to happen the morning of the shoot, which certainly provided a couple anxious moments (that’s code for nearly driving in to the lake, then getting stuck for 15 minutes), but in the end we found a great spot and hit our schedule perfectly. Hooray for local knowledge, trusty assistants capable of taking turns at pushing a stuck vehicle, Google Maps, fallback options, and fallback fallback options!

Once we got to our spot, a magical thing happened that I find often happens when it’s time to take photos: the thick gray clouds parted, the wind died down, and the weather turned about as nice as you could expect on a late-February day in Minnesota. Hakan’s son Isaac had a great time ice fishing (although the highlight of his day seemed to be when the fish heads were removed – he kept asking if it was time, and when it finally was, he ran around screaming, TIME TO CUT THE FISH HEADS! TIME TO CUT THE FISH HEADS! Clearly the son of a chef – plus, check out the photo of him cutting carrots), and we did exactly what we had set out to do: have a great time, and take some fun quirky photos.

Much-deserved thanks to my collaborators, Food Stylist Rachel Sherwood, Prop and Wardrobe Stylist Jenny Jenkins, and Photo Assistant Nate Ryan. And of course, thanks to Hakan Lundberg, a true culinary artist, for being so giving with his time and talents. Check out his Cosmos Kitchen blog for the latest in his professional world, or, even better, stop by Cosmos to sample some of the most creative, beautiful plates in Minneapolis.

Lastly, if you’d like to see a couple behind-the-scenes shots from the day, c’mon over to my Facebook Page for the rest of the story.

Chris’s recipes, prepared by Sea Change Executive Chef Erik Anderson, reflected his cool, and went perfectly with author Geri Wolf’s art direction: vivid reds and oranges in all three of his dishes, giving a very contemporary, saturated look to each plate. The carrot broth in particular, being poured from above in the book photograph, photographed beautifully.

Diane Yang, of La Belle Vie fame, is one of the top, most talented pastry chefs in town. She’s also particularly nice and easy to work with. In fact, of all the chefs featured in “The Culinary Mistress,” Diane was one of the toughest to get to not smile. But just like any chef, she can kick ass when necessary, so we got through our shoot with some great images.

As a portrait photographer, one of the main challenges I’m continually faced with is how to break the ice with my subjects and create some semblance of a relationship very quickly. Sometimes it’s easy, sometimes it doesn’t happen. But with Lenny I had a perfect in. The shoot was two days before Thanksgiving, and the next day I was co-hosting a pre-Thanksgiving party. I didn’t exactly know what I was going to make for an appetizer, but as I was checking out at the coop a few days prior, the cashier had seen my container of buttermilk and mentioned she was going to make a parsnip pie. Now I was mulling that idea over, trying to think of how I could make parsnip pie in to an app. And what better giver of advice of one of the true champions of local ingredients and deliciousness than chef Russo?

Lenny joined me in the dining room and as I took a few test shots, I told him about the recipe I was trying to come up with: phyllo cups filled with pureed parsnips and. . . what? To my surprise, Lenny gave it some real thought. Not that I didn’t think he would be courteous; I just have a lot of respect for him as a chef, and not a lot of respect for my own culinary talents. But he said, “Hmm. Interesting. Was this your idea?” I conveniently forgot my conversation with the coop checker and claimed it as my own. But after the initial interest, he proceeded to pretty much shoot me down. First, he wouldn’t use parsnips so early in a meal. Second, phyllo cups are clearly way too bush league. “What you really need to do is come back here and get some high quality lard from the Farm Direct Market and make yourself some proper crusts.” Points taken.

As it turned out, I didn’t get any pointers on my recipe, but our conversation definitely got Lenny in a good place for photos. And if you ever see a parsnip pie on the Heartland menu, think of me.

By the way, if you want to cook like Lenny Russo or any of the other chefs I’m highlighting here, you’ve got to get your hands on the Culinary Mistress. You’ll find the recipes for the dishes pictured, and more fun personal facts about the people behind the food.

A couple other things to pass on. The serious portrait poses fit beautifully with Geri Wolf’s art direction for the overall aesthetic of the book, but when you meet Sameh you sense immediately that he is FAR from as serious as he looks here. No one portrait can reflect every facet of a person’s personality; Sameh has an easily-accessible serious side that we explored on these portraits, but hopefully I’ll have a chance to reflect his other sides on another shoot someday. Also, we got to sample the small plates pictured below, and if you think all hummus and baba ghanoush are created equal, think again. Sameh’s subtle spicing took dishes I thought I knew and transformed them completely.

Congratulations to the Wadi brothers for all the accolades that they have recently received!